crawling through and reaching out

These sculptural-performative works form a grotesque spectacle of failure. Mechanized, fur-covered objects crawl noisily across the floor; absurd, laborious, almost tragicomic. Their mechanics, once masculine-coded tools, are queered and repurposed through the process of reshaping their surfaces. The works embody a radical gesture of affirmation: they celebrate imperfection, decay, and the overlooked. They form an “anti-community” of hybrid, dysfunctional bodies, inspired by Paul B. Preciado’s and Jack Halberstam’s concepts of monstrosity as queer resistance.

CRAWLING THROUGH AND REACHING OUT (18V), 2024

faux fur, metal, glitter stones, drills

multiple sizes

Installation view from "Sculpted Adornment" at Villa Renata

Installation view from "Sculpted Adornment" at Villa Renata

Installation view from "Sculpted Adornment" at Villa Renata

Installation view from "Sculpted Adornment" at Villa Renata

Installation view from "Sculpted Adornment" at Villa Renata

CRAWLING THROUGH AND REACHING OUT (18V), 2023

faux fur, metal, glitter stones, drills

multiple sizes

Installation view at I don't have a car - Zurich

CRAWLING THROUGH AND REACHING OUT (18V), 2023

faux fur, metal, glitter stones, drill

multiple sizes

Installation view at Hotel Tiger - Zurich

Trannynizer 2000, and the urge to fuck things over, 2023

faux fur, metal, wires, wood, jewellery, Aluminium

33 x 36 x 20 cm

Installation view at Hotel Tiger - Zurich

↑Back to Top